While his old mates in Genesis got more commercial in the early
eighties, climbing the lists, Gabriel went even deeper than before. Correspondingly successful, but not as crowdpleasing. I appreciated
both directions back then as they spoke to different moods and very
well done in their own separate ways. But for some reason this and his
fourth album have stayed unlistened by me for over twenty years, so now
I'm picking them out from the shelf again trying to rekindle. And it doesn't take
me long to rediscover this is a great album, sincere and strangely
catchy. After all this time "And Through The Wire" still gives me
goosebumps with its raw guitar riff and fervent vocals, "Games
Without Frontiers" still gripping and "Biko" still hits me as important.
As you know I'm usually not very fond of albums were electronics
substitute real instruments, but Gabriel was one of few who could do it
and make it feel just right, here with help from Robert Fripp, Phil
Collins, Jerry Marotta and Kate Bush among others. Very happy I gave it
a second chance but a little sad it took me so long. Now I will return
to "And Through The Wire" again and maybe move around a little to the beat. Issued and reissued on every possible format all over the
world through the years. First US on Mercury (SRM 1-3848), also in a German language version as "Ein Deutsches
Album" (Charisma 6302 035) . Premiere UK had labels as shown here in a thin fully laminated cover
with pic/lyric/info collage inner. (GYÄ*) (CÄX*)
There was time when I admirated this album. 'Family Snapshot' is still absolutely fantastic.
SvaraRaderaI think it has survived with the honur.
RaderaI don't always go for "dark" subject matter in music but this album is a big exception. Brilliant from beginning to end.
SvaraRaderaYes but there are shadows here too, not all bright and sunny.
Radera