Wrote a way too short post on the mono eight years ago and even
if that is a known fold (as you can see the label has the US "CS" no), now that I've bought the corresponding
stereo still making a format comparison as an excuse to repost. A
to the greater part self-penned album backed by top session
musicians and also including Al Kooper on keyboards. As I hear it
a perfect mix between black blues and pastel. I get a bundle of very
pleasant and catchy songs conveyed in a way that's almost easy
listening, but at the same time carrying a strong undertone of black
blues making it more substantial than regular pop. I guess some
hard-core blues fans find it futile and lovers of light pop too provoking,
but if you settle with the blend it's pure joy all through. To my
taste there's not a bad moment here, just one good song after another
providing uplifting background to any chore and also working well when
relaxing in the listening chair. I like it all, but if to chose just two
favorites - "Good Moring Miss Brown" and "She Caught The Katy And Left
Me A Mule To Ride". Moving around my appartment or listening from some
adjacent room I can't hear any difference between the mono and stereo,
but sitting in front of the speakers the stereo comes through just a
little wider and more detailed so that's the one for the listening
chair. A top album anyway you chose. Issued and reissued pretty much
all over the world on vinyl and CD through the years, also reel and
8-track. Premiere US on Columbia (CS 9698). Japan 2018 CD on Sony (SICP
5872) came with three bonus tracks. First UK had label as shown here in
a laminated cover, using the US rear sleeve pic on both front and back. (DÄJ*) (MÅW*) (YMÖ*)
Agree with your thoughts on this album. I love the same two tracks as you singled out. Only heard this one in Stereo. A nice mellow blues LP which never wore out it's welcome.
SvaraRaderaYes and lovely all way through...
Radera