lördag 18 maj 2013

BRIAN ENO/DISCREET MUSIC OBSCURE 3 (-75) UK

Even if this is an "Eno" record and all of it electronic avant garde, the sides differ so much the coupling seems almost random. B-side is an electronic interpretation of "Canon in D-minor" by German composer Johann Pachelbel (1653-1706). It's arranged and conducted by jazz bassist Gavin Bryars - an admirer of John Cage and early into improvisation, free form and avant garde. The performance is credited to "The Cockpit Ensemble" ( I don't know anything about who or what is behind that name, if anyone reading this does - please comment and tell). A-side title track was from the beginning thought as a background for Robert Fripp's guitar play, in the same vein as "No Pussyfooting" and "Evening Star", for a serie of concerts they were planning. Here used without Fripp. It's an harmonic flow, a beautiful background to any tranquil activity. It should be self-sufficient, but I can't help missing the balance from Fripps precise notes. First US on Antilles (AN-7030 ). There's also been a great number of vinyl and CD re-issues through the years. Premiere UK had label as shown here and thin glossy sleeve. (ÄNÖ*)(FÖF*)

2 kommentarer:

  1. I played this a lot! I love the diagram and the essay on the back. Sort of a revelation, a different approach. The very beginning of ambient music, the hospital-stay inspiration for which is so well recounted in the essay.

    We should start a groundswell of demand that Fripp finally add his definitive guitar track to the A side and that it be released for all of us finally to hear!!!

    SvaraRadera
  2. Yes the cover design and essey are as important as the music for the full picture - like a tripod.

    If You send a petition to Fripp I'll sign it :)

    SvaraRadera